Saucer Country Interview
We went to Distant Worlds, the Final Fantasy concert at the Royal Albert Hall last night, and it was brilliant. That young audience had such an emotional connection to the pieces. When classical music was originally performed, the audience shared in the audio emotional lexicon of it: they shared in collective responses to the associations of a particular theme, and would thus applaud and cheer during the performance. This was like that, with well-loved tracks met with gasps and cries. Charming game play as well as cut scenes was shown on the screens during. And you've got to love a composer who writes an opera suite that he knows is originally going to be performed as a series of bleeps on an ancient sound card. Great stuff. And they're coming back next year.
I've been talking recently about Saucer Country, my forthcoming Vertigo comic title with Ryan Kelly, and getting some lovely (and scary) pages from it in my inbox. This is the chance for me to tell a story that's been in my head for decades. I'm a Fortean about the whole UFO myth. I prefer to watch with interest rather than by it. But I think there's something to it. I just don't know what. I do, however, find all the many byways of it fascinating, and I know this stuff inside out.
In other news, I'm featured in the latest issue of the amazingly well-crafted Doctor Who Magazine fanzine Vworp Vworp, which will be available soon and thoroughly deserves your attention.
And it was very kind of Grant Morrison, when interviewed to pick Demon Knights as the DC title everyone should read.
We're recording the Christmas edition of the SF Squeecast tonight. Bit difficult to get festive this early, but the audience is depending on me, so I may try to find some eggnog. Cheerio!


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